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Alina Trapova  (University College London) , Nicholas Gervassis  (The University of Nottingham)
UKIPO's public consultation on AI and IP – text and data mining (Part 2)
March 16, 2022

  Photo by Gabriella Clare Marino on Unsplash Running from 29 October 2021 to 7 January 2022, the “Artificial Intelligence and IP: copyright and patents” consultation formed the latest round in…

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Nicholas Gervassis  (The University of Nottingham) , Alina Trapova  (University College London)
UKIPO's public consultation on AI and IP – computer-generated works (Part 1)
March 14, 2022

Photo by Possessed Photography on Unsplash Running from 29 October 2021 to 7 January 2022, the “Artificial Intelligence and IP: copyright and patents” consultation formed the latest round in an…

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Ioanna Lapatoura  (University of Leeds)
ECS Annual Conference 2022: “The Constitutional Turn in Copyright Law – From human rights, to competition aspects and fairness concerns”
March 10, 2022

  View of the Monica Partridge Building from the Millennium Gardens, University Park by Martine Hamilton Knight After two years of virtual-only meetings owing to the pandemic, on Friday 27 May…

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Matthew Hersh  (Wolters Kluwer Legal & Regulatory)
Copyright case: Kihn v. Bill Graham Archives LLC, USA
March 09, 2022

Because the artists who would form part of the class had entered into licensing agreements with varying terms, individual issues would prevail over common questions. A district court improperly…

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Paul Keller  (Institute for Information Law (IViR))
A vanishing right? The Sui Generis Database Right and the proposed Data Act
March 04, 2022

  Tape Robot at the Institute for Sound and Vision, Paul Keller, CC BY 4.0 Last week the European Commission published its proposal for a Data Act. The proposal is the second major element of…

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Alina Trapova  (University College London) , Peter Mezei  (University of Szeged, Hungary)
Robojournalism – A Copyright Study on the Use of Artificial Intelligence in the European News Industry
March 03, 2022

Photo by AbsolutVision on Unsplash The buzz around AI-generated outputs seems to never stop. While the field is rich on exaggerated claims, there are certain domains that have seen a genuine…

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Jeremy Blum  (Bristows LLP) , Andrew Butcher  (Bristows LLP)
English High Court issues blocking order targeting movie-hosting cyberlocker
March 02, 2022

 Readers of this blog will be familiar with the English High Court’s strong track record in issuing injunctions to compel internet service providers (“ISPs”) to block access to copyright-…

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Julian Waiblinger  (NORDEMANN) , Jonathan Pukas  (NORDEMANN)
Implementation of Art. 17 DSM Directive into German National Law – the German Act on the Copyright Liability of Online Content Sharing Service Providers (UrhDaG)
February 28, 2022

 At the time that Directive 2019/790/EU (DSM Directive) was being developed, much media attention was focussed, over a period of many months, on the liability of online content sharing service…

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Amy Thomas  (University of Glasgow, CREATe) , Bartolomeo Meletti  (CREATe, University of Glasgow)
Copyright Evidence: 21 for 2021 (a year in review)
February 23, 2022

  Photo via CREATe Introduction When we launched the Copyright Evidence Portal, our ambition was no less than to create a catalogue of all existing empirical studies about copyright. This…

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Ioanna Lapatoura  (University of Leeds)
Copyright originality in fashion: industry-induced bias against small designers in a sector dominated by seasonal trends
February 21, 2022

  Image by freestocks-photos from Pixabay Fashion is an industry largely led by seasonal trends. Status-conferring new designs are being launched bi-annually, during the Autumn/Winter and Spring…

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