Part 1 of this series gave a general overview of the copyright-related discussions regarding streaming services from the last year. In Part 2, we will gain a clearer picture of the expected…
Piracy represents the primary threat to the exploitation of audiovisual content. This threat is particularly evident in the context of live events, such as sporting competitions. The value of…
Anyone working with online copyright in the EU is familiar with the underlying tension: copyright remains territorially structured, while online access routinely crosses borders. That mismatch has…
Part 1 of this post outlined the decision in GEMA v OpenAI and placed it in the action workflow of large language models (LLMs) as well as explaining why treating training as “reproduction”, in…
My impulse to write this piece came from a question at a recent Conference, where I was speaking about AI training, fair use and EU text-and-data mining (TDM). During the Q&A, someone asked…
As 2025 draws to a close, we can start looking back on a particularly turbulent year for music streaming. One that might come to be understood as a tilting point for streaming and the music sector at…
Around the world, governments are developing legal frameworks to address artificial intelligence. The European Union has adopted a comprehensive AI Act regulating high-risk systems, while South Korea…
Italy has officially entered the age of artificial intelligence regulation. After more than a year of adjustments, the long-awaited Italian law on AI has finally been approved - marking a turning…
In August, I spoke at the Panama International Book Fair, in an event co-hosted by World Intellectual Property Organization (WIPO), the Panama Copyright Office, the Ministry of Culture, and the…
As the EU continues to wrestle with large-scale unauthorised use of works in AI training and outputs, the rapid convergence of search and AI answers is further complicating an already lagging…
