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Pinar Oruc  (University of Manchester)
Who holds copyright in 3D copies of repatriated cultural heritage?
January 05, 2023

  Photo by awsloley via Pixabay It is a common practice to make copies of deteriorating or far away cultural heritage. As of 2022, it is not even a new idea to use digital methods to copy…

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Daniele Fabris  (Università di Pavia)
Copyright Protection of Photographs: a Comparative Analysis Between France, Germany and Italy
December 21, 2022

Photo by Soragrit Wongsa on Unsplash This contribution is based on a paper published in 44 European Intellectual Property Law Review 595 (2022)   Photographs are included in Article 2(1) of the…

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Branka Marušić  (Stockholm University)
Saving the printed press – the Croatian implementation of Article 15 of the DSM Directive
December 19, 2022

Photo by Bruno Martins on Unsplash Give me twenty-six soldiers of lead and I will conquer the world.   This quote is often attributed to Johannes Gutenberg, Benjamin Franklin, Karl Marx, or all…

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Anthony D. Rosborough  (European University Institute)
The InfoSoc Directive and the Right to Repair: exploring the boundaries of a lesser-known copyright exception
December 14, 2022

Image by Matt Seymour Repair and maintenance information is often crucial for the repair of today’s increasingly complex and computerised products and devices. Copyright’s subsistence in repair…

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P. Bernt Hugenholtz  (Institute for Information Law (IViR))
ALLEA Statement on Open Access Publication under “Big Deals” and the New Copyright Rules
December 12, 2022

  The increasing costs of publication under the Gold Open Access model and “Big Deals”   The European Federation of Academies of Sciences and Humanities (ALLEA) has for many years supported…

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Christina Angelopoulos  (CIPIL, University of Cambridge)
Study on Copyright and Scientific Publications: Encouraging Access and Re-use
December 08, 2022

  Image by Mediamodifier from Pixabay In August 2022, the European Commission’s Directorate-General for Research and Innovation published a study on EU copyright and related rights and access to…

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Cristiana Sappa  (IÉSEG School of Management, Lille-Paris)
Copyright implications of Augmented Reality for cultural goods – Part 2
December 07, 2022

  Image by Tumisu from Pixabay Part 1 of this post outlined augmented reality (AR) technology, its applications in the cultural heritage sector and its potential copyright implications. This…

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Cristiana Sappa  (IÉSEG School of Management, Lille-Paris)
Copyright implications of Augmented Reality for cultural goods – Part 1
December 05, 2022

  Image by Tumisu from Pixabay Augmented Reality (AR) is a fast-evolving technology enabling the overlap of digital images with those from the real world. It makes use of several technological…

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Christina Angelopoulos  (CIPIL, University of Cambridge)
Comparative Report on the National Implementations of Articles 15 & 17 of the Directive on Copyright in the Digital Single Market – Part 2
December 01, 2022

  Image by Clker-Free-Vector-Images from Pixabay In 2019, the EU’s Copyright in the Digital Single Market Directive (CDSMD) was adopted. This included the highly controversial Articles 15 and 17…

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Christina Angelopoulos  (CIPIL, University of Cambridge)
Comparative Report on the National Implementations of Articles 15 & 17 of the Directive on Copyright in the Digital Single Market – Part 1
November 29, 2022

  Image by Clker-Free-Vector-Images from Pixabay In 2019, the EU’s Copyright in the Digital Single Market Directive (CDSMD) was adopted. This included the highly controversial Articles 15 and 17…

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