Image generated by ChatGPT using DALL·E, OpenAI, 2025. Prompt: "In a professional office, a humanoid robot and two human colleagues are engaged in a conversation about AI and copyright,…
Photo by Aidin Geranrekab on Unsplash
On 4 March 2025, the London School of Economics (LSE) hosted an event dedicated to exploring the intersection of AI and IP within the creative industries. The…
Image by mcmurryjulie from Pixabay
The debate on whether works protected by copyright can be used for the training of artificial intelligence (AI) has reached India. While dozens of US…
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Regular readers of the Kluwer Copyright Blog may already be familiar with the excellent reviews of the first two rulings on the European Union’s new text…
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Once the dust has settled after a difficult lawmaking process, commentators may succumb to the temptation of simply accepting and rubberstamping whatever result has been…
As we enter a new year, we would like to take this opportunity to pass on our best wishes for 2025 to all of our readers, as well as reflect on developments in copyright over the past year. Last year…
Photo by Matt Popovich on Unsplash
Introduction
The 2019 Copyright in the Digital Single Market (DSM) Directive is a complex legislative text that raises several questions of legal…
In a recent chapter, Ryan Abbott and Elizabeth Rothman present the utilitarian argument for granting copyright in AI-generated works (hereafter AIGW). Aspects of their argument also find expression…
Being an academic is a vocation. We are not in it for the money (hopefully), but mostly (hopefully) for the impact that we can make on our students’ and colleagues’ lives, as well as to…
Generated with OpenAI's DALL-E 3 model based on a prompt corresponding to the wording of Recital 106 AI Act
Introduction
The interaction between the AI Act (Regulation 2024/1689) and the…
